The big problem is called power Assault Objective: the White House. The new film by Roland Emmerich, one of the greatest film directors of action and great disasters of the past two decades (Stargate, Universal Soldier, Independence Day, Godzilla), honors unceremoniously productions mbm corporation of the late eighties and action throughout the nineties, excellently well checked with a narrative perfectly dosed in the service of a simple script, sometimes a bit silly but very effective and deliberately designed to serve on a platter of gold, especially great scenes of chaos and destruction carried out by casting height. As I said, however, the major problem of this highly recommended film festival is the popcorn film Objective: White House by Antoine Fuqua, who borrowed almost entirely the idea of the plot of the film Emmerich, theoretically the original, first, to roll it and released it before. Who hesitates.
The result, mbm corporation then, are two films almost verbatim regarding the plot and even the approach to action mbm corporation and narration. However, some differences can be perceived that, well understood by the intended audience, and especially their respective screenings spacing in time, can afford to enjoy two spectacular action genre films like before them, without quirks. While Antoine Fuqua film opts for hyperbole, histrionics and ultimately mbm corporation the general humor of the show, giving its main character, a sort of decaffeinated brother of John McClane, the weight of the narrative film, Emmerich tries to explain a story a bit more elaborate, unfolds its role in two: the aspiring presidential security agent John Cale, and the president of the United States, James Sawyer, a pacifist who is forced to take up arms if you want to save his life and his plan for world peace (?). Cale, Capitol Police, daughter attends a job interview at the White House, just as it gives a terrorist attack. Sounds that will be in the wrong place at the right time? Although it is obvious touch McClane in the description of the agent Cale (Channing Tatum) and the perception in the presidency (Jamie Foxx) a faithful reflection of the Obama phenomenon, the film fails especially in dialogues gray and ingenious little, not at all meet the expectations that are subject to a fine mass action, yes, but confirm mbm corporation the lost opportunity for a buddy movie with a president totally unleashed. However, the film gives us jokes and scenes mbm corporation of applause, as President Bazuka shooting against a door to the White House in a scene bastard action by automobile presidential gardens. It would be unforgivable, but not to mention the great Jack Crow James Woods, one of the most charismatic side of late, making an appearance here component with the evil master function, undoubtedly one of the great assets of the film.
To whet way, power Assault is a film that dignifies action film based on an idea -although robada- fresh and original. If we ignore mbm corporation any stage of patriotic shame (daughter Cale preventing the bombing at the White House waving mbm corporation his presidential flag from the gardens), and especially the epilogue of the film situated between the fantasmada and resolved as if pamflet- it was an episode of Murder, She Wrote Colombo or, what is clear is that this is a great genre film with good actors, good action, good effects, chaos and destruction, mbm corporation which in turn contributes a new title in this genre that grows by the minute, which is the presidential action movies, (re) founded mbm corporation pins films such as Air Force One, Independence Day or Abraham Lincoln Vs. Zombies, to give some examples of their commendable.
Director, screenwriter, film critic and aElsBastardsAraGirona and father mbm corporation of @ Scalletti,elsputusamos, andFactoriaCormanAcocollonat Web: http://callahanruiz.wix.com/callahan Twitter: https: // twitter. com / callahan_ruiz Facebook: mbm corporation https://www.facebook.com/callahan.ruiz?fref=ts
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